A picture of two halves. The right-hand side is all calm and peaceful. The left has pure panic. It is unclear if the lady in the water knew it was coming in and is just walking to a different area or she has been caught out and is now getting wet. Camera settings for this as correct and we see a good range of tones and the water is being shown as moving into towards its prey. Focus is good from front to back.
However I need to come back to the two halves. Do we need the right to be there? It is taking up more than half the image and has nothing really to do with what is going on beyond the sea wall. Or does the calmness just emphasise more the idea of her being caught out? I think the later and as such we know have the need for the sea wall. It is nearly on the left hand third and takes us into the image. We look at the people by the café and the cars, then the bend around to the house that the end. As we look at the sea then shout … watch out, the tide’s coming in. A well seen candid photo.
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A picture of two halves. The right-hand side is all calm and peaceful. The left has pure panic.
It is unclear if the lady in the water knew it was coming in and is just walking to a different area or she has been caught out and is now getting wet.
Camera settings for this as correct and we see a good range of tones and the water is being shown as moving into towards its prey. Focus is good from front to back.
However I need to come back to the two halves. Do we need the right to be there? It is taking up more than half the image and has nothing really to do with what is going on beyond the sea wall. Or does the calmness just emphasise more the idea of her being caught out? I think the later and as such we know have the need for the sea wall. It is nearly on the left hand third and takes us into the image. We look at the people by the café and the cars, then the bend around to the house that the end. As we look at the sea then shout … watch out, the tide’s coming in.
A well seen candid photo.